Green Plymouth photo by Martin Buday

"Green Plymouth" Martin Buday


A talented friend of mine recently relocated from our shared hometown of Doylestown, Pennsylvania, to the big city cow-town confines of Denver, Colorado. He brought with him his good nature, art collection, and camera assortment. Lucky for me, as I’m currently ‘borrowing’ a medium format rig from him, and lucky for the Front Range too, as Marty is a talented fellow with a sharp eye for detail and the absurdities in our environment. Don’t take my word for it – check out his site:

Martin Buday

Note the fine example of his work in the picture box above.

Marty prefers film to digital, and he is very good at what he does. His images convey an awareness of the unseen order in everyday, pass-it-by landscapes, a sort of dream-state freeze-frame. Favorite subjects include buildings, old cars, signs, dogs, fields, and parking lots – but these things are not the true subject matter. Marty has shied away from commercial work so far, but ask nicely and I’m sure he’d consider any gig. One day he will shoot my work for me – if I’m lucky.

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by Nicholas Fiore
June 21, 2011
Categories: News,Photography
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Fiore Building Workshop Architecture Portfolio Cover

FBW Hardbound Book

Architects and designers are always seeking ways to distinguish their work. Websites are obviously slick and portable by nature, just bring along an iPad or laptop and you’ve got your work with you anywhere in the world. Occasionally, however, a physical representation of your design acumen is preferable. Traditional portfolios – physical reproductions or representations of your work – are a requirement in many fields for a variety of presentations. Potential clients will want to see the goods before hiring you. Friends will ask to see what you’re up to. Potential collaborators or employers will request that you bring samples along to interviews. If you’ve ever created a portfolio using one of those binder systems you see in art or design stores you’ve probably realized the inherent weaknesses they reveal: bulky, fussy, inflexible, and expensive.

There are better options now, including custom publishing services. For me, there proved to be no better option. The quality of these book publishing service is quite good, and a wide variety of design professionals use them for small, on-demand print runs. There are implicit advantages to using an online publishing service. You can order new books anytime, from anywhere, and have them delivered. Spill coffee on your book? Order a new one from your phone. A client requests a copy for marketing purposes? Order a dozen instantly – would you prefer hardcover or soft? Blurb (the publisher I use) even offers your book up for sale to the public (if you choose to share it). A favorite feature of mine: The added security of knowing that your book design and images live on a server other than your own. In a worst case scenario – office fire, burglary – your work lives on and is readily available. Sounds great, no? Hold up! There are a few negative factors to consider. Hardcover books on high quality paper in color and with a substantial (60+) amount of pages are not cheap. My 80+ page portfolio book runs me over $120.00! The books are ‘on-demand’ but there are lead times of two weeks or more. These are not your grade school library bulletproof cloth hardbound books of yesterday, but the print quality is high and the hard cover is sturdy. Graphics on the cover are an option too. To achieve the highest level of output you will need to dial in your inputs – workstation screen calibration and image photoshoppery are a must! Finally, I once had to send back a book due to poorly cut pages. As with most things, diligence and care will serve you best when taking advantage of these services.

I’m not shilling for Blurb here – I simply used them for my project. See for yourself. Check this link to my book, be sure to test the ‘preview book’ function – very slick:  

Nicholas Fiore :   Portfolio

Expensive? Somewhat, relatively speaking. In book pricing terms versus your average coffee table fare these books are not cheap. Worth the price as compared to alternative portfolio creation options? Absolutely. The cost in materials and time to compose, print, and bind such a book yourself would be considerable. The online publishers allow you full control over the book design and content. Use InDesign, Illustrator, Photoshop, or even Quark (really?) to do your layouts, upload your pdf (including full bleeds!), and order your copies.

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by Nicholas Fiore
June 6, 2011
Categories: News,Projects
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FBW Project Featured on ‘Stair Porn’

by Nicholas Fiore 03.09.2011
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Today we noticed a link or three streaming into our site from a uniquely named source: Stair Porn. Intrigued, we followed the breadcrumbs and landed here. Hooray! Our stair and stair rail design for the Maita Residence, completed in 2008, has been selected for a feature on the site, which is dedicated (obviously?) to nothing but sexy stairs. We are [...]

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Websites For Architects: A Portfolio Site With WordPress Under The Hood

by Nicholas Fiore 10.06.2010
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Building a  portfolio site for architects: Strategies and Process. The process of building a site is similar to the process of designing a building. It starts with ideas, sketches and concepts. Edit these down to a clear vision. Identify the key parts and top priorities, and compose them in a way that serves your vision. Techniques and skills are things [...]

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Site Under Construction: Live, But Still Buggy

by Nicholas Fiore 10.01.2010
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You have most likely noticed that this site is still a work in progress. True, there are some bugs, broken links, image issues, and placeholders. As of today – January 18th – I am working diligently to transfer the site to a new host, reassign the domains, and finalize the odds and ends, including the bugs and broken links. Hopefully [...]

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